Although trained as a scientist and a philosopher, Rudolf Steiner always placed a high value on the practice of art and always worked artistically: whatever he did was done with great artistry. Furthermore, as a spiritual teacher, Steiner's ideal was the reunion of science, religion, and art in a new, human sacramental culture. The eleven lectures collected here reveal the many-facetted perspectives Steiner offered regarding the vital role of the visual arts in human affairs. For Steiner, art is above all a way of building a bridge between the spiritual and the physical realms. His views are not abstract theories or utopian ideals, but a constant striving through the inherent qualities of color and form to realize concrete artistic projects in architecture, sculpture, and painting.
On first meeting Steiner's radical ideas, many people -- artists as well as non-artists -- wonder what sense they can make of such an approach to art. The introduction by Michael Howard introduces these ideas by recounting one artist's experience of struggling to make Steiner's views and way of doing art his own. Ultimately, however each person must make their own relationship to Steiner's approach, buth the story of how one artist took up the challenge may stimulate others to do the same. The book includes numerous photographs.
Although trained as a scientist and a philosopher, Rudolf Steiner always placed a high value on the practice of art and always worked artistically: whatever he did was done with great artistry. Furthermore, as a spiritual teacher, Steiner's ideal was the reunion of science, religion, and art in a new, human sacramental culture. The eleven lectures collected here reveal the many-facetted perspectives Steiner offered regarding the vital role of the visual arts in human affairs. For Steiner, art is above all a way of building a bridge between the spiritual and the physical realms. His views are not abstract theories or utopian ideals, but a constant striving through the inherent qualities of color and form to realize concrete artistic projects in architecture, sculpture, and painting.
On first meeting Steiner's radical ideas, many people -- artists as well as non-artists -- wonder what sense they can make of such an approach to art. The introduction by Michael Howard introduces these ideas by recounting one artist's experience of struggling to make Steiner's views and way of doing art his own. Ultimately, however each person must make their own relationship to Steiner's approach, buth the story of how one artist took up the challenge may stimulate others to do the same. The book includes numerous photographs.
Über den Autor
Rudolf Steiner (1861-1925) was born in the small village of Kraljevec, Austro-Hungarian Empire (now in Croatia), where he grew up. As a young man, he lived in Weimar and Berlin, where he became a well-published scientific, literary, and philosophical scholar, known especially for his work with Goethe's scientific writings. At the beginning of the twentieth century, he began to develop his early philosophical principles into an approach to systematic research into psychological and spiritual phenomena. Formally beginning his spiritual teaching career under the auspices of the Theosophical Society, Steiner came to use the term Anthroposophy (and spiritual science) for his philosophy, spiritual research, and findings. The influence of Steiner's multifaceted genius has led to innovative and holistic approaches in medicine, various therapies, philosophy, religious renewal, Waldorf education, education for special needs, threefold economics, biodynamic agriculture, Goethean science, architecture, and the arts of drama, speech, and eurythmy. In 1924, Rudolf Steiner founded the General Anthroposophical Society, which today has branches throughout the world. He died in Dornach, Switzerland.