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Cover: 9780822370574 | Archiveology | Walter Benjamin and Archival Film Practices | Russell
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Archiveology
Walter Benjamin and Archival Film Practices
Taschenbuch von Catherine Russell
Sprache: Englisch

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Beschreibung
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
In Archiveology Catherine Russell uses the work of Walter Benjamin to explore how the practice of archiveology-the reuse, recycling, appropriation, and borrowing of archival sounds and images by filmmakers-provides ways to imagine the past and the future. Noting how the film archive does not function simply as a place where moving images are preserved, Russell examines a range of films alongside Benjamin's conceptions of memory, document, excavation, and historiography. She shows how city films such as Nicole Védrès's Paris 1900 (1947) and Thom Andersen's Los Angeles Plays Itself (2003) reconstruct notions of urban life and uses Christian Marclay's The Clock (2010) to draw parallels between critical cinephilia and Benjamin's theory of the phantasmagoria. Russell also discusses practices of collecting in archiveological film and rereads films by Joseph Cornell and Rania Stephan to explore an archival practice that dislocates and relocates the female image in film. In so doing, she not only shows how Benjamin's work is as relevant to film theory as ever; she shows how archiveology can awaken artists and audiences to critical forms of history and memory.
Über den Autor
Catherine Russell is Professor of Cinema at Concordia University and the author of The Cinema of Naruse Mikio: Women and Japanese Modernity and Experimental Ethnography: The Work of Film in the Age of Video, both also published by Duke University Press, as well as Classical Japanese Cinema Revisited.
Inhaltsverzeichnis
Acknowledgments ix
Prologue 1
1. Introduction to Archiveology 11
2. Walter Benjamin and the Language of the Moving Image Archive 35
3. The Cityscape in Pieces 55
4. Collecting Images 97
5. Phantasmagoria and Critical Cinephilia 141
6. Awakening from the Gendered Archive 184
Epilogue 218
Notes 225
Selected Filmography 245
Bibliography 247
Index 261
Details
Erscheinungsjahr: 2018
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 280
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822370574
ISBN-10: 0822370573
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Russell, Catherine
Besonderheit: Unsere Aufsteiger
Hersteller: Duke University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Catherine Russell
Erscheinungsdatum: 28.03.2018
Gewicht: 0,41 kg
preigu-id: 109052491
Über den Autor
Catherine Russell is Professor of Cinema at Concordia University and the author of The Cinema of Naruse Mikio: Women and Japanese Modernity and Experimental Ethnography: The Work of Film in the Age of Video, both also published by Duke University Press, as well as Classical Japanese Cinema Revisited.
Inhaltsverzeichnis
Acknowledgments ix
Prologue 1
1. Introduction to Archiveology 11
2. Walter Benjamin and the Language of the Moving Image Archive 35
3. The Cityscape in Pieces 55
4. Collecting Images 97
5. Phantasmagoria and Critical Cinephilia 141
6. Awakening from the Gendered Archive 184
Epilogue 218
Notes 225
Selected Filmography 245
Bibliography 247
Index 261
Details
Erscheinungsjahr: 2018
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
Seiten: 280
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780822370574
ISBN-10: 0822370573
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Russell, Catherine
Besonderheit: Unsere Aufsteiger
Hersteller: Duke University Press
Maße: 229 x 152 x 16 mm
Von/Mit: Catherine Russell
Erscheinungsdatum: 28.03.2018
Gewicht: 0,41 kg
preigu-id: 109052491
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