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Antagonistic Cooperation
Jazz, Collage, Fiction, and the Shaping of African American Culture
Taschenbuch von Robert O'Meally
Sprache: Englisch

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Beschreibung
From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, Robert G. O'Meally explores how the worlds of African American jazz, art, and literature have informed one another.
From the collages of Romare Bearden and paintings of Jean-Michel Basquiat to the fiction of Ralph Ellison and Toni Morrison to the music of Louis Armstrong and Duke Ellington, Robert G. O'Meally explores how the worlds of African American jazz, art, and literature have informed one another.
Über den Autor
Robert G. O¿Meally is the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University, where he is also founder and director of the Center for Jazz Studies. He is the author of Lady Day: The Many Faces of Billie Holiday (1989); editor of The Jazz Cadence of American Culture (Columbia, 1998); and coeditor of Uptown Conversations: The New Jazz Studies (Columbia, 2004), among many other books.
Inhaltsverzeichnis
Acknowledgments
Introduction
1. This Music Demanded Action: Ellison, Armstrong, and the Imperatives of Jazz
2. We Are All a Collage: Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz
3. The "Open Corner" of Black Community and Creativity: From Romare Bearden to Duke Ellington and Toni Morrison
4. Hare and Bear: The Racial Politics of Satchmo's Smile
5. The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished
Coda
Notes
Index
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 296
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780231189194
ISBN-10: 0231189192
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: O'Meally, Robert
Hersteller: Columbia University Press
Maße: 234 x 156 x 19 mm
Von/Mit: Robert O'Meally
Erscheinungsdatum: 15.03.2022
Gewicht: 0,44 kg
preigu-id: 119504881
Über den Autor
Robert G. O¿Meally is the Zora Neale Hurston Professor of English and Comparative Literature at Columbia University, where he is also founder and director of the Center for Jazz Studies. He is the author of Lady Day: The Many Faces of Billie Holiday (1989); editor of The Jazz Cadence of American Culture (Columbia, 1998); and coeditor of Uptown Conversations: The New Jazz Studies (Columbia, 2004), among many other books.
Inhaltsverzeichnis
Acknowledgments
Introduction
1. This Music Demanded Action: Ellison, Armstrong, and the Imperatives of Jazz
2. We Are All a Collage: Armstrong's Operatic Blues, Bearden's Black Odyssey, and Morrison's Jazz
3. The "Open Corner" of Black Community and Creativity: From Romare Bearden to Duke Ellington and Toni Morrison
4. Hare and Bear: The Racial Politics of Satchmo's Smile
5. The White Trombone and the Unruly Black Cosmopolitan Trumpet, or How Paris Blues Came to Be Unfinished
Coda
Notes
Index
Details
Erscheinungsjahr: 2022
Genre: Musik
Rubrik: Kunst & Musik
Thema: Allg. Handbücher & Lexika
Medium: Taschenbuch
Seiten: 296
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780231189194
ISBN-10: 0231189192
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: O'Meally, Robert
Hersteller: Columbia University Press
Maße: 234 x 156 x 19 mm
Von/Mit: Robert O'Meally
Erscheinungsdatum: 15.03.2022
Gewicht: 0,44 kg
preigu-id: 119504881
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