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Puppetry has become a significant force in contemporary theatre and thousands of puppets from various cultures and time periods have been collected by scholars, enthusiasts, and curators, who wisely realized that these material images can teach us much about the societies for which they were created. This book consists of essays by the curators of the most significant puppet collections in the United States and by leading scholars in the field. In addition to the descriptive and analytical essays on the collections, the book includes an overview of American puppetry today, a history of puppetry in the United States, and essays on the theater of Julie Taymor, the Jim Henson Company, Howdy Doody's custody case, puppet conservation, and the development of virtual performance space.
The fourteen collections discussed include those of the Smithsonian Institution, the Harvard University Theatre Collection, the Brander Matthews Collection at Columbia University, the American Museum of Natural History, and the Center for Puppetry Arts in Atlanta. Appendices provide a listing of additional puppetry collections and a filmography of puppetry at the New York Public Library Donnell Media Center. The work concludes with a bibliography and index and is illustrated with many beautiful photographs of puppeteers and puppets on display and in performance.
The fourteen collections discussed include those of the Smithsonian Institution, the Harvard University Theatre Collection, the Brander Matthews Collection at Columbia University, the American Museum of Natural History, and the Center for Puppetry Arts in Atlanta. Appendices provide a listing of additional puppetry collections and a filmography of puppetry at the New York Public Library Donnell Media Center. The work concludes with a bibliography and index and is illustrated with many beautiful photographs of puppeteers and puppets on display and in performance.
Puppetry has become a significant force in contemporary theatre and thousands of puppets from various cultures and time periods have been collected by scholars, enthusiasts, and curators, who wisely realized that these material images can teach us much about the societies for which they were created. This book consists of essays by the curators of the most significant puppet collections in the United States and by leading scholars in the field. In addition to the descriptive and analytical essays on the collections, the book includes an overview of American puppetry today, a history of puppetry in the United States, and essays on the theater of Julie Taymor, the Jim Henson Company, Howdy Doody's custody case, puppet conservation, and the development of virtual performance space.
The fourteen collections discussed include those of the Smithsonian Institution, the Harvard University Theatre Collection, the Brander Matthews Collection at Columbia University, the American Museum of Natural History, and the Center for Puppetry Arts in Atlanta. Appendices provide a listing of additional puppetry collections and a filmography of puppetry at the New York Public Library Donnell Media Center. The work concludes with a bibliography and index and is illustrated with many beautiful photographs of puppeteers and puppets on display and in performance.
The fourteen collections discussed include those of the Smithsonian Institution, the Harvard University Theatre Collection, the Brander Matthews Collection at Columbia University, the American Museum of Natural History, and the Center for Puppetry Arts in Atlanta. Appendices provide a listing of additional puppetry collections and a filmography of puppetry at the New York Public Library Donnell Media Center. The work concludes with a bibliography and index and is illustrated with many beautiful photographs of puppeteers and puppets on display and in performance.
Über den Autor
Phyllis T. Dircks is a professor of English at Long Island University in Greenvale, New York. A specialist in contemporary American drama, she lives in Huntington, New York.
Inhaltsverzeichnis
Table of Contents
Foreword
Introduction
PART I. AMERICAN PUPPETRY TODAY AND YESTERDAY
A Snapshot of Puppeteers of the United States and Canada
A Short View of American Puppetry
PART II. SIGNIFICANT COLLECTIONS
Puppetry and Related Materials in the Harvard Theatre Collection
Asian Puppets at the UCLA Fowler Museum of Cultural History
The Center for Puppetry Arts Museum Collection
The Bread & Puppet Theater Company Collection
Puppets and "The Iconography of Drama": The Brander
Matthews Collection at Columbia University
The Ballard Institute and Museum of Puppetry Collection
Paul McPharlin and Puppetry at the Detroit Institute of Arts
The Bil Baird World of Puppets at the Charles H. MacNider Museum
The Puppet Collection of the American Museum of Natural History
The Burr Tillstrom Collection and Archives at the Chicago Historical Society
The Marionette Theatre of Peter Arnott at Harvard University
The Lou Harrison Collection: Music and Puppetry East to West
The Dwiggins Marionettes at the Boston Public Library
The Puppet Collection of the National Museum of American History
PART III. PUPPETRY IN ACTION
"Bringing Together Man and Nature": The Theater of Julie Taymor
Exhibitions and Collections of the Jim Henson Company
Howdy Doody in the Courtroom: A Puppet Custody Case
The Fundamentals of Marionette Care
Puppetry in Cyberspace: Developing Virtual Performance Spaces
Appendix A: Selected Additional Puppetry Collections
Appendix B: Films and Videos on Puppetry at the Donnell Media Center of the New York Public Library
Selected Bibliography
About the Contributors
Index
Foreword
Introduction
PART I. AMERICAN PUPPETRY TODAY AND YESTERDAY
A Snapshot of Puppeteers of the United States and Canada
A Short View of American Puppetry
PART II. SIGNIFICANT COLLECTIONS
Puppetry and Related Materials in the Harvard Theatre Collection
Asian Puppets at the UCLA Fowler Museum of Cultural History
The Center for Puppetry Arts Museum Collection
The Bread & Puppet Theater Company Collection
Puppets and "The Iconography of Drama": The Brander
Matthews Collection at Columbia University
The Ballard Institute and Museum of Puppetry Collection
Paul McPharlin and Puppetry at the Detroit Institute of Arts
The Bil Baird World of Puppets at the Charles H. MacNider Museum
The Puppet Collection of the American Museum of Natural History
The Burr Tillstrom Collection and Archives at the Chicago Historical Society
The Marionette Theatre of Peter Arnott at Harvard University
The Lou Harrison Collection: Music and Puppetry East to West
The Dwiggins Marionettes at the Boston Public Library
The Puppet Collection of the National Museum of American History
PART III. PUPPETRY IN ACTION
"Bringing Together Man and Nature": The Theater of Julie Taymor
Exhibitions and Collections of the Jim Henson Company
Howdy Doody in the Courtroom: A Puppet Custody Case
The Fundamentals of Marionette Care
Puppetry in Cyberspace: Developing Virtual Performance Spaces
Appendix A: Selected Additional Puppetry Collections
Appendix B: Films and Videos on Puppetry at the Donnell Media Center of the New York Public Library
Selected Bibliography
About the Contributors
Index
Details
| Empfohlen (von): | 18 |
|---|---|
| Erscheinungsjahr: | 2004 |
| Genre: | Importe, Kunst |
| Rubrik: | Kunst & Musik |
| Thema: | Theater & Film |
| Medium: | Taschenbuch |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9780786418961 |
| ISBN-10: | 0786418966 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Redaktion: | Dircks, Phyllis T. |
| Hersteller: | McFarland |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 20 mm |
| Von/Mit: | Phyllis T. Dircks |
| Erscheinungsdatum: | 30.11.2004 |
| Gewicht: | 0,547 kg |