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Beschreibung
The 1940s was a watershed decade for American cinema and the nation. At the start of the decade, Hollywood - shaking off the Depression - launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. Hollywood then joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. By the end of the war America was a country transformed. The 1940s closed with the threat of the atom bomb and the beginnings of the Hollywood blacklist. Film Noir reflected the new public mood of pessimism and paranoia. Classic films of betrayal and conflict - Kiss of Death, Force of Evil, Caught, and Apology for Murder - depicted a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.
The 1940s was a watershed decade for American cinema and the nation. At the start of the decade, Hollywood - shaking off the Depression - launched an unprecedented wave of production, generating some of its most memorable classics, including Citizen Kane, Rebecca, The Lady Eve, Sergeant York, and How Green Was My Valley. Hollywood then joined the national war effort with a vengeance, creating a series of patriotic and escapist films, such as Casablanca, Mrs. Miniver, The Road to Morocco, and Yankee Doodle Dandy. By the end of the war America was a country transformed. The 1940s closed with the threat of the atom bomb and the beginnings of the Hollywood blacklist. Film Noir reflected the new public mood of pessimism and paranoia. Classic films of betrayal and conflict - Kiss of Death, Force of Evil, Caught, and Apology for Murder - depicted a poisonous universe of femme fatales, crooked lawyers, and corrupt politicians.
Über den Autor
Wheeler Winston Dixon is the James Ryan Endowed Professor of Film Studies and a professor of English at the University of Nebraska, Lincoln, and, with Gwendolyn Audrey Foster, editor-in-chief of the Quarterly Review of Film and Video.
Zusammenfassung
Also available in hardback, 9781845204341 £45.00 (February, 2006)
Inhaltsverzeichnis
CONTENTS

Acknowledgments

Timeline: The 1940s

Wheeler Winston Dixon (University of Nebraska, USA)
Introduction: Movies and the 1940s

Matthew Bernstein (Emory University, USA)
1940: Movies and the Reassessment of America

Sarah Kozloff (Vassar College, USA)
1941: Movies on the Edge of War

Steven Jay Schneider (Harvard University and Tisch School of the Arts, New York University, USA)
1942: Movies and the March to War

Catherine L. Preston (University of Kansas, USA)
1943: Movies and National Identity

Nicholas Spencer (University of Nebraska, USA)
1944: Movies and the Renegotiation of Genre

Kristine Butler Karlson (University of Wisconsin-River Falls, USA)
1945: Movies and the March Home

Wheeler Winston Dixon (UNiversity of Nebraska, USA)
1946: Movies and Postwar Recovery

Tony Williams (Southern Illinois University at Carbondale, USA)
1947: Movies and the "Enemy" Within

Joanna Rapf (University of Oklahoma and Dartmouth College, USA)
1948: Movies and the Family

Marcia Landy (University of Pittsburgh, USA)
1949: Movies and the Fate of Genre

Select Academy Awards, 1940-1949

Works Cited and Consulted

Contributors

Index
Details
Erscheinungsjahr: 2006
Genre: Importe, Kunst
Rubrik: Kunst & Musik
Thema: Theater & Film
Medium: Taschenbuch
ISBN-13: 9781845204358
ISBN-10: 1845204352
Sprache: Englisch
Einband: Kartoniert / Broschiert
Redaktion: Dixon, Wheeler Winston
Hersteller: Berg Publishers
Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de
Maße: 234 x 156 x 16 mm
Von/Mit: Wheeler Winston Dixon
Erscheinungsdatum: 01.02.2006
Gewicht: 0,459 kg
Artikel-ID: 134289021