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Beschreibung
I have always said that poets paint pictures using words and sounds (and sometimes shapes), creating unique word paintings. Tony Brinkley, in America, America with fermentable command demonstrates that the opposite is also true, that artists create poems using hues, shades, and forms (and sometimes words), as the subtitle suggests: "Poems with Words / Poems Without Words."
Yet, there is a third medium at work here as well. The jazz soul of the nation pulses through each poem: snatches of John Coltrane's saxophone, the cool demeanor of Miles Davis's trumpet, and the aching silk of Billie Holiday's voice. These are not mere echos but an underlying rhythm, a satisfying blue note that links what came before and what comes after.
TS S. Fulk, author of Metamodern Morning Angst and Other Horrors.
Yet, there is a third medium at work here as well. The jazz soul of the nation pulses through each poem: snatches of John Coltrane's saxophone, the cool demeanor of Miles Davis's trumpet, and the aching silk of Billie Holiday's voice. These are not mere echos but an underlying rhythm, a satisfying blue note that links what came before and what comes after.
TS S. Fulk, author of Metamodern Morning Angst and Other Horrors.
I have always said that poets paint pictures using words and sounds (and sometimes shapes), creating unique word paintings. Tony Brinkley, in America, America with fermentable command demonstrates that the opposite is also true, that artists create poems using hues, shades, and forms (and sometimes words), as the subtitle suggests: "Poems with Words / Poems Without Words."
Yet, there is a third medium at work here as well. The jazz soul of the nation pulses through each poem: snatches of John Coltrane's saxophone, the cool demeanor of Miles Davis's trumpet, and the aching silk of Billie Holiday's voice. These are not mere echos but an underlying rhythm, a satisfying blue note that links what came before and what comes after.
TS S. Fulk, author of Metamodern Morning Angst and Other Horrors.
Yet, there is a third medium at work here as well. The jazz soul of the nation pulses through each poem: snatches of John Coltrane's saxophone, the cool demeanor of Miles Davis's trumpet, and the aching silk of Billie Holiday's voice. These are not mere echos but an underlying rhythm, a satisfying blue note that links what came before and what comes after.
TS S. Fulk, author of Metamodern Morning Angst and Other Horrors.
Über den Autor
Tony Brinkley's poetry and translations have appeared in Mississippi Review, Another Chicago Magazine, Beloit Poetry Journal, Cerise Press, Drunken Boat, Four Centuries, Hinchas De Poesie, Hungarian Review, Mayday, New Review of Literature, Puckerbrush Press, Poetry Salzburg Review, Otoliths, Shofar, Metamorphosis, Bombay Literary Magazine, Poetry in Translation and World Literature Today. His art has been published by Open, Collateral, Brussels Review, Trafika Europe, Ana and Nashville Review, Before retirement, he taught in the English Department at the University of Maine. He is co-editor (with Keith Hanley) of Romantic Revisions (Cambridge University Press).
Details
| Erscheinungsjahr: | 2025 |
|---|---|
| Genre: | Importe, Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| ISBN-13: | 9789199046822 |
| ISBN-10: | 9199046822 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Brinkley, Tony |
| Auflage: | 1. Auflage |
| Hersteller: | Island of Wak-Wak |
| Verantwortliche Person für die EU: | preigu GmbH & Co. KG, Lengericher Landstr. 19, D-49078 Osnabrück, mail@preigu.de |
| Maße: | 220 x 155 x 5 mm |
| Von/Mit: | Tony Brinkley |
| Erscheinungsdatum: | 16.12.2025 |
| Gewicht: | 0,114 kg |