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Shannon Wells-Lassagne is author of Television and Serial Adaptation (2017), and the co-editor of Adapting Endings (2019), and Screening Text (2013). Her work has appeared in Screen, The Journal of Adaptation in Film and Performance, Critical Studies in Television, and The Journal of Popular Film and Television.
Fiona McMahon is Professor of American Literature at the Université Paul Valéry-Montpellier 3, France, and editor of the series Profils américains at the Presses universitaires de de la Méditerranée. She is the author of Charles Reznikoff : une poétique du témoignage (2010), H.D. Trilogy (2013) and co-editor of Penser le genre en poésie contemporaine (2019).
The first book to focus exclusively on Margaret Atwood and adaptation, with a particular focus on popular Hulu TV series The Handmaid's Tale
Explores Atwood in light of her recent success as the Booker Prize winner, arguably closely linked to Hulu's popular adaptation of The Handmaid's Tale
Includes chapters from practitioners such as Brendan Steacy, cinematographer for the TV adaptation of Alias Grace
Part I Atwood Adapts.- "Atwood's Hag-Seed and The Heart Goes Last, a Generic Romp".- "Negotiating with the Dead": Authorial Ghosts and Other Spectralities in Atwood's Adaptations.- Transforming the Human and the Novel: The Utopian Potential of Resilience in Margaret Atwood'sM addAddam Trilogy.- Atwood's Protean Poetics: Adaptation in the Service of Survival.- Feminist Adaptations/Adaptations of Feminism: Margaret Atwood's The Penelopiad.- Part II Atwood Adapted.- The Unreliable Female (Narrator) in Mary Harron's Miniseries Alias Grace.- The Figure of the Objectified Servant, from the Silent Biblical Maid to the Twenty-First-Century Web TV Rebel.- Shallow Focus Composition and the Poetics of Blur in The Handmaid's Tale (Hulu, 2017-).- Feminism, Facts, and Fear: The Protean Reception of The Handmaid's Tale (Atwood 1985, Miller 2017-).- You Are Here: The Handmaid's Tale as Graphic Novel.- Offred at the Opera: Dimensions of Adaptation in Poul Ruders and Paul Bentley'sT he Handmaid's Tale.- Part III Atwood in the World: Atwood Adaptation Practitioners.- Staging The Penelopiad.- Filming Alias Grace.- Filming The Handmaid's Tale.- "Adapting (to) Atwood"
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: |
xiv
266 S. 15 s/w Illustr. 11 farbige Illustr. 266 p. 26 illus. 11 illus. in color. |
ISBN-13: | 9783030736859 |
ISBN-10: | 3030736857 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
McMahon, Fiona
Wells-Lassagne, Shannon |
Herausgeber: | Shannon Wells-Lassagne/Fiona McMahon |
Auflage: | 1st edition 2021 |
Hersteller: |
Springer Nature Switzerland
Springer International Publishing |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 210 x 148 x 16 mm |
Von/Mit: | Fiona McMahon (u. a.) |
Erscheinungsdatum: | 17.12.2021 |
Gewicht: | 0,366 kg |
Shannon Wells-Lassagne is author of Television and Serial Adaptation (2017), and the co-editor of Adapting Endings (2019), and Screening Text (2013). Her work has appeared in Screen, The Journal of Adaptation in Film and Performance, Critical Studies in Television, and The Journal of Popular Film and Television.
Fiona McMahon is Professor of American Literature at the Université Paul Valéry-Montpellier 3, France, and editor of the series Profils américains at the Presses universitaires de de la Méditerranée. She is the author of Charles Reznikoff : une poétique du témoignage (2010), H.D. Trilogy (2013) and co-editor of Penser le genre en poésie contemporaine (2019).
The first book to focus exclusively on Margaret Atwood and adaptation, with a particular focus on popular Hulu TV series The Handmaid's Tale
Explores Atwood in light of her recent success as the Booker Prize winner, arguably closely linked to Hulu's popular adaptation of The Handmaid's Tale
Includes chapters from practitioners such as Brendan Steacy, cinematographer for the TV adaptation of Alias Grace
Part I Atwood Adapts.- "Atwood's Hag-Seed and The Heart Goes Last, a Generic Romp".- "Negotiating with the Dead": Authorial Ghosts and Other Spectralities in Atwood's Adaptations.- Transforming the Human and the Novel: The Utopian Potential of Resilience in Margaret Atwood'sM addAddam Trilogy.- Atwood's Protean Poetics: Adaptation in the Service of Survival.- Feminist Adaptations/Adaptations of Feminism: Margaret Atwood's The Penelopiad.- Part II Atwood Adapted.- The Unreliable Female (Narrator) in Mary Harron's Miniseries Alias Grace.- The Figure of the Objectified Servant, from the Silent Biblical Maid to the Twenty-First-Century Web TV Rebel.- Shallow Focus Composition and the Poetics of Blur in The Handmaid's Tale (Hulu, 2017-).- Feminism, Facts, and Fear: The Protean Reception of The Handmaid's Tale (Atwood 1985, Miller 2017-).- You Are Here: The Handmaid's Tale as Graphic Novel.- Offred at the Opera: Dimensions of Adaptation in Poul Ruders and Paul Bentley'sT he Handmaid's Tale.- Part III Atwood in the World: Atwood Adaptation Practitioners.- Staging The Penelopiad.- Filming Alias Grace.- Filming The Handmaid's Tale.- "Adapting (to) Atwood"
Erscheinungsjahr: | 2021 |
---|---|
Genre: | Geisteswissenschaften, Kunst, Musik |
Rubrik: | Kunst & Musik |
Thema: | Fotografie |
Medium: | Taschenbuch |
Inhalt: |
xiv
266 S. 15 s/w Illustr. 11 farbige Illustr. 266 p. 26 illus. 11 illus. in color. |
ISBN-13: | 9783030736859 |
ISBN-10: | 3030736857 |
Sprache: | Englisch |
Einband: | Kartoniert / Broschiert |
Redaktion: |
McMahon, Fiona
Wells-Lassagne, Shannon |
Herausgeber: | Shannon Wells-Lassagne/Fiona McMahon |
Auflage: | 1st edition 2021 |
Hersteller: |
Springer Nature Switzerland
Springer International Publishing |
Verantwortliche Person für die EU: | Springer Verlag GmbH, Tiergartenstr. 17, D-69121 Heidelberg, juergen.hartmann@springer.com |
Maße: | 210 x 148 x 16 mm |
Von/Mit: | Fiona McMahon (u. a.) |
Erscheinungsdatum: | 17.12.2021 |
Gewicht: | 0,366 kg |