Zum Hauptinhalt springen
Dekorationsartikel gehören nicht zum Leistungsumfang.
A Theory of Parody
The Teachings of Twentieth-Century Art Forms
Taschenbuch von Linda Hutcheon
Sprache: Englisch

27,70 €*

inkl. MwSt.

Versandkostenfrei per Post / DHL

Lieferzeit 1-2 Wochen

Kategorien:
Beschreibung
In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.

Hutcheon identifies parody as a major form of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode for coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.

In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect -- for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

In this major study of a flexible and multifaceted mode of expression, Linda Hutcheon looks at works of modern literature, visual art, music, film, theater, and architecture to arrive at a comprehensive assessment of what parody is and what it does.

Hutcheon identifies parody as a major form of modern self-reflexivity, one that marks the intersection of invention and critique and offers an important mode for coming to terms with the texts and discourses of the past. Looking at works as diverse as Tom Stoppard's Rosenkrantz and Guildenstern Are Dead, Brian de Palma's Dressed to Kill, Woody Allen's Zelig, Karlheinz Stockhausen's Hymnen, James Joyce's Ulysses, and Magritte's This Is Not a Pipe, Hutcheon discusses the remarkable range of intent in modern parody while distinguishing it from pastiche, burlesque, travesty, and satire. She shows how parody, through ironic playing with multiple conventions, combines creative expression with critical commentary. Its productive-creative approach to tradition results in a modern recoding that establishes difference at the heart of similarity.

In a new introduction, Hutcheon discusses why parody continues to fascinate her and why it is commonly viewed as suspect -- for being either too ideologically shifty or too much of a threat to the ownership of intellectual and creative property.

Über den Autor
Linda Hutcheon, a professor of English at the University of Toronto, is the author of Irony's Edge: The Theory and Politics of Irony, Narcissistic Narrative: The Metafictional Paradox, and other books.
Inhaltsverzeichnis
Front Cover
Title
Copyright
Contents
List of illustrations
A new introduction, an old concern
Acknowledgments
1. Introduction
2. Defining Parody
3. The pragmatic range of parody
4. The paradox of parody
5. Encoding and decoding: the shared codes of parody
6. Conclusion: the world, the parodic text and the theorist
Bibliography
Index
Back Cover
Details
Erscheinungsjahr: 2000
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780252069383
ISBN-10: 0252069382
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hutcheon, Linda
Hersteller: University of Illinois Press
Maße: 229 x 152 x 13 mm
Von/Mit: Linda Hutcheon
Erscheinungsdatum: 27.09.2000
Gewicht: 0,227 kg
Artikel-ID: 106048754
Über den Autor
Linda Hutcheon, a professor of English at the University of Toronto, is the author of Irony's Edge: The Theory and Politics of Irony, Narcissistic Narrative: The Metafictional Paradox, and other books.
Inhaltsverzeichnis
Front Cover
Title
Copyright
Contents
List of illustrations
A new introduction, an old concern
Acknowledgments
1. Introduction
2. Defining Parody
3. The pragmatic range of parody
4. The paradox of parody
5. Encoding and decoding: the shared codes of parody
6. Conclusion: the world, the parodic text and the theorist
Bibliography
Index
Back Cover
Details
Erscheinungsjahr: 2000
Genre: Kunst
Rubrik: Kunst & Musik
Thema: Allgemeine Kunst
Medium: Taschenbuch
Inhalt: Kartoniert / Broschiert
ISBN-13: 9780252069383
ISBN-10: 0252069382
Sprache: Englisch
Einband: Kartoniert / Broschiert
Autor: Hutcheon, Linda
Hersteller: University of Illinois Press
Maße: 229 x 152 x 13 mm
Von/Mit: Linda Hutcheon
Erscheinungsdatum: 27.09.2000
Gewicht: 0,227 kg
Artikel-ID: 106048754
Warnhinweis

Ähnliche Produkte

Ähnliche Produkte