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Beschreibung
This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, with potential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentation of the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris
This book introduces a theory of music analysis that one can use to explore aspects of segmentation and associative organization in a wide range of repertoire including Western classical music from the Baroque to the present, with potential applications to jazz and popular music, and some non-Western musics. Rather than a methodology, the theory provides analysts with precise language and a broad, flexible conceptual framework through which they can formulate and investigate questions of interest and develop their own interpretations of individual pieces and passages. The theory begins with a basic distinction among three domains of musical experience and discourse about it: the sonic (psychoacoustic); the contextual (or associative, sparked by varying degrees of repetition); and the structural (guided by a specific theory of musical structure or syntax invoked by the analyst). A comprehensive presentation of the theory, with copious musical illustrations, is balanced with close analyses of works by Beethoven, Debussy, Nancarrow, Riley, Feldman, and Morris
Über den Autor
Dora A. Hanninen
Inhaltsverzeichnis
A Theory of Music Analysis
Orientations, Criteria, Segments
Associative Sets and Associative Organization
Beethoven, Piano Sonata No. 2 in A Major, Op. 2, No. 2, I
Debussy, "Harmonie du soir," Cinq poèmes de Baudelaire, No. 2
Nancarrow, Study No. 37: Calibrated Canons, Changeable Landscapes
Riley, In C: Configurations and Landscape Studies of Select Plots
Feldman, Palais de Mari: Pattern and Design in a Changing Landscape
Morris, Nine Piano Pieces: Between Moment and Memory-Reflectionson and among the Nine
Further Considerations and Extended Applications
Notes
Glossary
Bibliography
Index
Orientations, Criteria, Segments
Associative Sets and Associative Organization
Beethoven, Piano Sonata No. 2 in A Major, Op. 2, No. 2, I
Debussy, "Harmonie du soir," Cinq poèmes de Baudelaire, No. 2
Nancarrow, Study No. 37: Calibrated Canons, Changeable Landscapes
Riley, In C: Configurations and Landscape Studies of Select Plots
Feldman, Palais de Mari: Pattern and Design in a Changing Landscape
Morris, Nine Piano Pieces: Between Moment and Memory-Reflectionson and among the Nine
Further Considerations and Extended Applications
Notes
Glossary
Bibliography
Index
Details
| Erscheinungsjahr: | 2017 |
|---|---|
| Genre: | Geschichte, Importe |
| Rubrik: | Geisteswissenschaften |
| Medium: | Taschenbuch |
| Inhalt: | Einband - flex.(Paperback) |
| ISBN-13: | 9781580465892 |
| ISBN-10: | 1580465897 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hanninen, Dora A. |
| Hersteller: | University of Rochester Press |
| Verantwortliche Person für die EU: | Libri GmbH, Europaallee 1, D-36244 Bad Hersfeld, gpsr@libri.de |
| Maße: | 229 x 152 x 32 mm |
| Von/Mit: | Dora A. Hanninen |
| Erscheinungsdatum: | 23.01.2017 |
| Gewicht: | 0,873 kg |