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From the author of the international bestseller What I Loved, a provocative collection of autobiographical and critical essays about writing and writers.
Whether her subject is growing up in Minnesota, cross-dressing, or the novel, Hustvedt's nonfiction, like her fiction, defies easy categorization, elegantly combining intellect, emotion, wit, and passion. With a light touch and consummate clarity, she undresses the cultural prejudices that veil both literature and life and explores the multiple personalities that inevitably inhabit a writer's mind. Is it possible for a woman in the twentieth century to endorse the corset, and at the same time approach with authority what it is like to be a man? Hustvedt does. Writing with rigorous honesty about her own divided self, and how this has shaped her as a writer, she also approaches the works of others--Fitzgerald, Dickens, and Henry James--with revelatory insight, and a practitioner's understanding of their art.
From the author of the international bestseller What I Loved, a provocative collection of autobiographical and critical essays about writing and writers.
Whether her subject is growing up in Minnesota, cross-dressing, or the novel, Hustvedt's nonfiction, like her fiction, defies easy categorization, elegantly combining intellect, emotion, wit, and passion. With a light touch and consummate clarity, she undresses the cultural prejudices that veil both literature and life and explores the multiple personalities that inevitably inhabit a writer's mind. Is it possible for a woman in the twentieth century to endorse the corset, and at the same time approach with authority what it is like to be a man? Hustvedt does. Writing with rigorous honesty about her own divided self, and how this has shaped her as a writer, she also approaches the works of others--Fitzgerald, Dickens, and Henry James--with revelatory insight, and a practitioner's understanding of their art.
Yonder
A Plea for Eros
Franklin Pangborn: An Apologia
Eight Days in a Corset
Being a Man
Leaving Your Mother
Living with Strangers
9/11, or One Year Later
The Bostonians: Personal and Impersonal Words
Charles Dickens and the Morbid Fragment
Extracts from a Story of the Wounded Self
| Erscheinungsjahr: | 2000 |
|---|---|
| Genre: | Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Seiten: | 242 |
| Inhalt: | 228 S. |
| ISBN-13: | 9780312425531 |
| ISBN-10: | 0312425538 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hustvedt, Siri |
| Hersteller: | St. Martins Press-3PL |
| Maße: | 216 x 140 x 14 mm |
| Von/Mit: | Siri Hustvedt |
| Erscheinungsdatum: | 05.09.2000 |
| Gewicht: | 0,347 kg |
Yonder
A Plea for Eros
Franklin Pangborn: An Apologia
Eight Days in a Corset
Being a Man
Leaving Your Mother
Living with Strangers
9/11, or One Year Later
The Bostonians: Personal and Impersonal Words
Charles Dickens and the Morbid Fragment
Extracts from a Story of the Wounded Self
| Erscheinungsjahr: | 2000 |
|---|---|
| Genre: | Lyrik & Dramatik |
| Rubrik: | Belletristik |
| Medium: | Taschenbuch |
| Seiten: | 242 |
| Inhalt: | 228 S. |
| ISBN-13: | 9780312425531 |
| ISBN-10: | 0312425538 |
| Sprache: | Englisch |
| Ausstattung / Beilage: | Paperback |
| Einband: | Kartoniert / Broschiert |
| Autor: | Hustvedt, Siri |
| Hersteller: | St. Martins Press-3PL |
| Maße: | 216 x 140 x 14 mm |
| Von/Mit: | Siri Hustvedt |
| Erscheinungsdatum: | 05.09.2000 |
| Gewicht: | 0,347 kg |
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