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Cover: 9780521607513 | A History of Pianoforte Pedalling | David Rowland (u. a.) | Buch
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A History of Pianoforte Pedalling
Taschenbuch von David Rowland (u. a.)
Sprache: Englisch

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Beschreibung
David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors.
David Rowland traces the history of piano pedaling from its beginnings in the eighteenth century to its first maturity in the middle of the nineteenth century and beyond. Pedaling technique was a major feature of nineteenth-century piano performance and, coupled with new developments in piano structure, inspired many composers to write innovative works for the literature. Rowland examines this through the technique and music of composer-pianists such as Beethoven, Liszt, and Chopin and follows the transition from harpsichord and clavichord to piano. The book also includes an appendix of translated extracts from three well-known piano-pedaling tutors.
Inhaltsverzeichnis
Acknowledgements; Introduction; Part I: The Instruments: 1. The transition from the harpsichord and clavichord to the piano; 2. Stops, levers and pedals; Part II. Pedalling and the Early Pianists: 3. Documentary accounts of early pedalling; 4. Early technique of the pedals as described in tutors; 5. Early pedal markings; 6. Mozart and his contemporaries; Part III. Pedalling After c.1820: 7. The emergence of modern pedalling; 8. The sustaining pedal after c.1800; 9. Other pedals from c.1800; Appendix: J. P. Milchmeyer, Die wahre Art das Pianoforet zu spielen; Louis Adam: Méthode de Piano du Conservatoire; Daniel Steibelt, Méthode de Piano.
Details
Erscheinungsjahr: 2004
Genre: Musik
Rubrik: Kunst & Musik
Thema: Instrumentenkunde
Medium: Taschenbuch
Seiten: 208
ISBN-13: 9780521607513
ISBN-10: 0521607515
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rowland, David
David, Rowland
Redaktion: Butt, John
Hersteller: Cambridge University Press
Maße: 246 x 189 x 11 mm
Von/Mit: David Rowland (u. a.)
Erscheinungsdatum: 22.05.2004
Gewicht: 0,413 kg
preigu-id: 102450832
Inhaltsverzeichnis
Acknowledgements; Introduction; Part I: The Instruments: 1. The transition from the harpsichord and clavichord to the piano; 2. Stops, levers and pedals; Part II. Pedalling and the Early Pianists: 3. Documentary accounts of early pedalling; 4. Early technique of the pedals as described in tutors; 5. Early pedal markings; 6. Mozart and his contemporaries; Part III. Pedalling After c.1820: 7. The emergence of modern pedalling; 8. The sustaining pedal after c.1800; 9. Other pedals from c.1800; Appendix: J. P. Milchmeyer, Die wahre Art das Pianoforet zu spielen; Louis Adam: Méthode de Piano du Conservatoire; Daniel Steibelt, Méthode de Piano.
Details
Erscheinungsjahr: 2004
Genre: Musik
Rubrik: Kunst & Musik
Thema: Instrumentenkunde
Medium: Taschenbuch
Seiten: 208
ISBN-13: 9780521607513
ISBN-10: 0521607515
Sprache: Englisch
Ausstattung / Beilage: Paperback
Einband: Kartoniert / Broschiert
Autor: Rowland, David
David, Rowland
Redaktion: Butt, John
Hersteller: Cambridge University Press
Maße: 246 x 189 x 11 mm
Von/Mit: David Rowland (u. a.)
Erscheinungsdatum: 22.05.2004
Gewicht: 0,413 kg
preigu-id: 102450832
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