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Contents
Introduction
Part One: Essential Principles of Plot
- Drop the hammer. (Hamlet—Shakespeare play)
- Ask dramatic questions. (Finding Nemo—Pixar film)
- Explore all endings. (The Night Of—HBO series)
- Escalate risk. (Pulp Fiction—Quentin Tarantino film)
- Base units of action on change. (The Producers—Mel Brooks comedy)
- Connect with “therefore” not “and.” (South Park, “Breast Cancer Show Ever”—TV episode)
- Break hell loose in the middle. (Anchorman: The Legend of Ron Burgundy—Will Ferrell comedyfilm)
- Begin the end with a no-turning-back point. (Frankenstein—Mary Shelley novel)
- Build inexorably to hero’s final act. (The Godfather, Part I and II—Francis Ford Coppola films)
- Wrap up fast. (Late Spring —Yosujiro Ozu film)
Part Two: Essential Principles of Character
- Give hero an iron will. (Red Dead Redemption—video game)
- Make hero active and decisive. (Modern Times—Charlie Chaplin film)
- Clash expectation with reality. (Breaking Bad, “Dead Freight”—TV episode)
- Provoke dilemma. (The Best of Times, The Worst of Times—The Moth story by Anthony Griffith)
- Layer conflict. (Ms. Marvel, Kamala Khan—Marvel comic)
- Write characters to top of intelligence. (Stan—Eminem song)
- Peel the onion. (Interpreter of Maladies—Jhumpa Lahiri story)
- Create antagonists as heroes. (The Piano Lesson—August Wilson play)
- Confront evil. (The Lottery—Shirley Jackson story)
Part Three: Essential Principles of Theme, Dialogue and Setting
- Hunt big game. (Memories of Murder—South Korean film by Bong Joon-ho)
- Leave room for interpretation. (Let the Right One In—Swedish film by John Ajvide Lindquist)
- Develop ideas with varied call backs. (Double Indemnity—Billy Wilder film)
- Attack your theme. (The Brothers Karamazov—Dostoevsky novel)
- Infuse dialogue with intention. (Death of a Salesman—Arthur Miller play)
- Hide meaning. (Remains of the Day—Ruth Prawer Jhabvala film based on Ishiguro novel)
- Link inextricably to your setting. (The Brief Wondrous Life of Oscar Wao—Junot Diaz novel)
- Rule your world. (Harry Potter—JK Rowling book series)
Conclusion
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 384 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781523507160 |
| ISBN-10: | 1523507160 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Joshua Rubin, Daniel |
| Hersteller: | Workman Publishing |
| Maße: | 226 x 152 x 25 mm |
| Von/Mit: | Daniel Joshua Rubin |
| Erscheinungsdatum: | 18.08.2020 |
| Gewicht: | 0,52 kg |
Contents
Introduction
Part One: Essential Principles of Plot
- Drop the hammer. (Hamlet—Shakespeare play)
- Ask dramatic questions. (Finding Nemo—Pixar film)
- Explore all endings. (The Night Of—HBO series)
- Escalate risk. (Pulp Fiction—Quentin Tarantino film)
- Base units of action on change. (The Producers—Mel Brooks comedy)
- Connect with “therefore” not “and.” (South Park, “Breast Cancer Show Ever”—TV episode)
- Break hell loose in the middle. (Anchorman: The Legend of Ron Burgundy—Will Ferrell comedyfilm)
- Begin the end with a no-turning-back point. (Frankenstein—Mary Shelley novel)
- Build inexorably to hero’s final act. (The Godfather, Part I and II—Francis Ford Coppola films)
- Wrap up fast. (Late Spring —Yosujiro Ozu film)
Part Two: Essential Principles of Character
- Give hero an iron will. (Red Dead Redemption—video game)
- Make hero active and decisive. (Modern Times—Charlie Chaplin film)
- Clash expectation with reality. (Breaking Bad, “Dead Freight”—TV episode)
- Provoke dilemma. (The Best of Times, The Worst of Times—The Moth story by Anthony Griffith)
- Layer conflict. (Ms. Marvel, Kamala Khan—Marvel comic)
- Write characters to top of intelligence. (Stan—Eminem song)
- Peel the onion. (Interpreter of Maladies—Jhumpa Lahiri story)
- Create antagonists as heroes. (The Piano Lesson—August Wilson play)
- Confront evil. (The Lottery—Shirley Jackson story)
Part Three: Essential Principles of Theme, Dialogue and Setting
- Hunt big game. (Memories of Murder—South Korean film by Bong Joon-ho)
- Leave room for interpretation. (Let the Right One In—Swedish film by John Ajvide Lindquist)
- Develop ideas with varied call backs. (Double Indemnity—Billy Wilder film)
- Attack your theme. (The Brothers Karamazov—Dostoevsky novel)
- Infuse dialogue with intention. (Death of a Salesman—Arthur Miller play)
- Hide meaning. (Remains of the Day—Ruth Prawer Jhabvala film based on Ishiguro novel)
- Link inextricably to your setting. (The Brief Wondrous Life of Oscar Wao—Junot Diaz novel)
- Rule your world. (Harry Potter—JK Rowling book series)
Conclusion
| Medium: | Taschenbuch |
|---|---|
| Seiten: | 384 |
| Inhalt: | Kartoniert / Broschiert |
| ISBN-13: | 9781523507160 |
| ISBN-10: | 1523507160 |
| Sprache: | Englisch |
| Einband: | Kartoniert / Broschiert |
| Autor: | Joshua Rubin, Daniel |
| Hersteller: | Workman Publishing |
| Maße: | 226 x 152 x 25 mm |
| Von/Mit: | Daniel Joshua Rubin |
| Erscheinungsdatum: | 18.08.2020 |
| Gewicht: | 0,52 kg |
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